Running in Madness, Dying in Love (1969)


Lesser-known but still packing a mad punch, Running In Madness… tells of a student activist who is forced to flee Tokyo with his sister-in-law after he inadvertently shoots his police officer brother at a protest rally. We follow the two as they travel north to their hometown of Hokkaido, across a majestic winter landscape. Shot in a stellar psychedelic style and scripted by frequent collaborator Masao Adachi, the story was influenced by Adachi’s time spent with master director Nagisa Oshima, which led to Adachi’s development of a more rigorous, formal approach to his work. Running In Madness is one of the first Japanese films to employ “Landscape Theory” (fukei-ron), a style of storytelling, according to Adachi, in which “all the landscapes one faces in…daily life, even those such as the beautiful sites shown on a postcard, are essentially related to the figure of a ruling power.

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